Shades and variations
Main article: Shades of red
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Varieties of the color red may differ in hue, chroma (also called saturation, intensity, or colorfulness), or lightness (or value, tone, or brightness), or in two or three of these qualities. Variations in value are also called tints and shades, a tint being a red or other hue mixed with white, a shade being mixed with black. Four examples are shown below.
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The cardinal takes its name from the color worn by Catholic cardinals.
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Pink is a pale shade of red. Cherry blossoms in the Tsutsujigaoka Park, Sendai, Miyagi, Japan.
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Vermilion is similar to scarlet, but slightly more orange. This is sindoor, a red cosmetic powder used in India; some Hindu women put a stripe of sindoor in their hair to show they are married.[5][6]
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Seeing red
The human eye sees red when it looks at light with a wavelength between approximately 625 and 740 nanometers.[1] It is a primary color in the RGB color model and the light just past this range is called infrared, or below red, and cannot be seen by human eyes, although it can be sensed as heat.[7] In the language of optics, red is the color evoked by light that stimulates neither the S or the M (short and medium wavelength) cone cells of the retina, combined with a fading stimulation of the L (long-wavelength) cone cells.[8]
Primates can distinguish the full range of the colors of the spectrum visible to humans, but many kinds of mammals, such as dogs and cattle, have dichromacy, which means they can see blues and yellows, but cannot distinguish red and green (both are seen as gray). Bulls, for instance, cannot see the red color of the cape of a bullfighter, but they are agitated by its movement.[9] (See color vision).
One theory for why primates developed sensitivity to red is that it allowed ripe fruit to be distinguished from unripe fruit and inedible vegetation.[10] This may have driven further adaptations by species taking advantage of this new ability, such as the emergence of red faces.[11]
Red light is used to help adapt night vision in low-light or night time, as the rod cells in the human eye are not sensitive to red.[12][13]
Red illumination was (and sometimes still is) used as a safelight while working in a darkroom as it does not expose most photographic paper and some films.[14] Today modern darkrooms usually use an amber safelight.[citation needed]